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Biography
Rosemary Candelario specializes in the Japanese avant-garde movement form butoh. Other research interests include dance and ecology, Asian American dance, site-specific performance, and arts activism. Her book, Flowers Cracking Concrete: Eiko & Koma’s Asian/American Choreographies is forthcoming from Wesleyan University Press in 2016. Candelario’s choreography has been produced across the United States, and as a dancer she has performed in the United States, Canada, Germany, and Brazil. She has published articles in theJournal of Theatre, Dance and Performance Training, The Scholar and Feminist Online, and The International Journal of Screendance. Her chapter on Dave Chappelle's Block Party appears in The Oxford Handbook of Dance and the Popular Screen. Rosemary earned a PhD in Culture and Performance from UCLA. At TWU she teaches graduate theory and writing courses, advises PhD and MA students, and directs the International Dance Company.
Industry Expertise (5)
Public Policy
Non-Profit/Charitable
Education/Learning
Entertainment
Research
Areas of Expertise (7)
Dance
Grant Writing
Community Outreach
Butoh
Feminism
Asian American Studies
Arts Activism
Education (3)
University of California, Los Angeles: Ph.D., Culture and Performance with a concentration in Dance 2011
Dissertation: “Eiko & Koma: Choreographing Spaces Apart in Asian America” Advisor: Susan Leigh Foster
University of California, Los Angeles: M.A., Culture and Performance 2007
Boston University: B.A., Anthropology & German Language and Literature 1992
Links (2)
Languages (4)
- English
- French
- German
- Japanese
Media Appearances (2)
TWU arts school invites locals to visit an arts walk
DentonRC.com online
2016-03-26
The Texas Woman’s University School of the Arts is inviting locals to explore the spaces where the arts happen during Artswalk: Transformations. The event will be from 7 to 9 p.m. Thursday on the TWU campus.
Beyond Words at the Grackle Art Gallery
Fort Worth Weekly online
2015-06-17
If Terry Horn says Beyond Words is a work in progress, I’ll believe him –– grudgingly. This collaboration between his sonic art project, Momentary Gamelan Ensemble, and choreographer/dancer Rosemary Candelario that was performed on Saturday night at the Grackle Art Gallery looked ready for prime time.
Courses (5)
DNCE 2171-01
Urban and Global Dance Forms/Butoh
DNCE 3143-50
World Dance Forms
DNCE 4123-01
Dance as Public Practice
DNCE 5023-01
Academic Writing and Research
DNCE 5243-01
Pedagogical Foundations in Dance
Articles (3)
Bodies, Camera, Screen: Eiko & Koma's Immersive Media Dances
The International Journal of Screendance
2014 Eiko & Koma are New York-based Japanese American dance artists known for their subtle, focused, and finely controlled movement vocabulary through which they alter the perception of time and space. For over forty years they have created works for the proscenium stage, outdoor sites, galleries, and the camera that address elemental issues of life, survival, death, and rebirth. Their close and unsparing attention to nature, mourning, and human relationships to other humans and the world around them has won them prestigious awards including Guggenheim, MacArthur, and United States Artist Fellowships, Bessies, and Doris Duke Performing Arts Awards.
Transvaginal Sound: Politics and Performance
The Scholar & Feminist Online
2013 A women’s health advocate and a male doctor sit side-by-side. Together they are organizing a women’s clinic that will provide prenatal care and educate women about their reproductive health.
A manifesto for moving: Eiko & Koma's Delicious Movement workshops
Theatre, Dance and Performance Training
2010 Eiko & Koma harnessed their training in butoh and Neue Tanz to develop their own style, Delicious Movement, which employs images of nature and everyday life. Eiko & Koma's workshops are built upon image prompts that are meant to generate movement.
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