Dr Mohamad Hafeda

Reader Leeds Beckett University

  • Leeds West Yorkshire

Dr Mohamad Hafeda's work employs art and architecture practices as research methods to negotiate the politics of urban space.

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Biography

Hafeda is an artist, designer, writer and academic. His work employs art and architecture practices as research methods to negotiate the politics of urban space, focussing on the issues of borders, refuge, displacement, representation and spatial rights. Through this, Hafeda engages with communities to produce counter representations and spatial alternatives that span urban interventions, media representations, art installations and writings.

Hafeda is a Reader at the Leeds School of Architecture. He is a founding partner of Febrik, a collaborative platform for participatory art and design research working on the dynamics of urban space in relation to unrepresented groups. He taught architecture and interior design at Chelsea College of Arts, Westminster University, London Metropolitan University, Lebanese American University and American University of Beirut. Hafeda holds a PhD degree in Architectural Design from the Bartlett School of Architecture, University College London.

Hafeda’s interdisciplinary, practice-led research across the fields of urban studies, art and tactical practices of resistence is presented in his most recent book, Negotiating Conflict in Lebanon (Bloomsbury, 2019) and his film Sewing Borders, commissioned by Ashkal Alwan for Video Works (2017), the latter of which was selected for the International Film Festival Rotterdam IFFR (2018) in the Bright Future category, and Queer Lisboa International Film Festival (2018). Hafeda was also the co-author of Creative Refuge (Tadween, 2014) and Action of Street / Action of Room: A Directory of Public Actions (Serpentine Galleries, 2016), and the co-editor of Narrating Beirut from its Borderlines (Heinrich Boll Foundation, 2011).

Febrik works on site-specific projects and collaborates with local communities, NGOs and cultural institutions. Their projects include residencies and exhibitions at the Serpentine Galleries, South London Gallery, Victoria and Albert Museum, Mosaic Rooms, and Architecture Biennale Rotterdam.

Industry Expertise

Writing and Editing
Education/Learning
Architecture and Planning

Areas of Expertise

Social Change
History and Theory Modules
Architecture
Bordering Practices
Gallery Art Installations

Accomplishments

Philip Leverhulme Prize

2021

Visual and Performing Arts category

Education

Bartlett School of Architecture, University College London

Ph.D.

Architectural Design

2015

Chelsea College of Art and Design, University of the Arts London

M.A.

Design for the Environment

2005

Fine Arts Institute, Lebanese University

B.A.

Interior Architecture

2001

Languages

  • English

Media Appearances

A Lebanese nostalgic feast

The Guardian  online

2013-09-28

Mo and I have been together for about eight months; he always talks about his favourite dishes from Beirut, where he's from, and how hard it is to find Lebanese home cooking in London.

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A different kind of exhibition: Beirut Art Center continues to surprise with emerging talents

Al Bawaba  online

2012-11-25

In the back gallery to the right, Mohamad Hafeda’s video installation “The Chosen Two” (2012) sets up a conversation between a real and fictional mukhtar, or local mayor, in Beirut. On an intellectual level, it sifts through the residue of Ottoman, French and Lebanese law. On an emotional level, it asks throwaway, questions such as “Mukhtar, why do we fear fear when there is no fear?” On an aesthetic level, it reads like dry academic research.

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Event Appearances

Negotiating Conflict

Alternative Future conference  Lisbon, Portugal

2018-10-25

Bordering Practices: Negotiating Theory and Practice

AHRA conference This Thing Called Theory  Leeds Beckett University

2015-01-01

Practising Ethics

Practising Ethics  University College London

2015-01-01

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Articles

Bordering Practices: Negotiating Theory and Practice

Architecture and Culture

2016

Following the shift from borders to bordering practices in the field of border studies, this article proposes bordering practices as specific kinds of critical spatial practice which occur through processes of negotiating and narrating, and are situated in relation to concepts of everyday life and spatial practice.

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