
Dr Mohamad Hafeda
Reader Leeds Beckett University
- Leeds West Yorkshire
Dr Mohamad Hafeda's work employs art and architecture practices as research methods to negotiate the politics of urban space.
Social
Biography
Hafeda is a Reader at the Leeds School of Architecture. He is a founding partner of Febrik, a collaborative platform for participatory art and design research working on the dynamics of urban space in relation to unrepresented groups. He taught architecture and interior design at Chelsea College of Arts, Westminster University, London Metropolitan University, Lebanese American University and American University of Beirut. Hafeda holds a PhD degree in Architectural Design from the Bartlett School of Architecture, University College London.
Hafeda’s interdisciplinary, practice-led research across the fields of urban studies, art and tactical practices of resistence is presented in his most recent book, Negotiating Conflict in Lebanon (Bloomsbury, 2019) and his film Sewing Borders, commissioned by Ashkal Alwan for Video Works (2017), the latter of which was selected for the International Film Festival Rotterdam IFFR (2018) in the Bright Future category, and Queer Lisboa International Film Festival (2018). Hafeda was also the co-author of Creative Refuge (Tadween, 2014) and Action of Street / Action of Room: A Directory of Public Actions (Serpentine Galleries, 2016), and the co-editor of Narrating Beirut from its Borderlines (Heinrich Boll Foundation, 2011).
Febrik works on site-specific projects and collaborates with local communities, NGOs and cultural institutions. Their projects include residencies and exhibitions at the Serpentine Galleries, South London Gallery, Victoria and Albert Museum, Mosaic Rooms, and Architecture Biennale Rotterdam.
Industry Expertise
Areas of Expertise
Accomplishments
Philip Leverhulme Prize
2021
Visual and Performing Arts category
Education
Bartlett School of Architecture, University College London
Ph.D.
Architectural Design
2015
Chelsea College of Art and Design, University of the Arts London
M.A.
Design for the Environment
2005
Fine Arts Institute, Lebanese University
B.A.
Interior Architecture
2001
Links
- University Profile
- Dr Mohamad Hafeda awarded prestigious Philip Leverhulme Prize - Leeds Beckett University News
- 2020 Architecture Open Lecture Series - Leeds School of Arts Blog
- 2021 Architecture Open Lecture Series: Fortuitous Encounters - Leeds School of Arts Blog
- Personal Website
- Bloomsbury Author Page
- IFFR Profile
- Febrik Website
- University College London Profile
- ResearchGate Citations
Languages
- English
Media Appearances
A Lebanese nostalgic feast
The Guardian online
2013-09-28
Mo and I have been together for about eight months; he always talks about his favourite dishes from Beirut, where he's from, and how hard it is to find Lebanese home cooking in London.
A different kind of exhibition: Beirut Art Center continues to surprise with emerging talents
Al Bawaba online
2012-11-25
In the back gallery to the right, Mohamad Hafeda’s video installation “The Chosen Two” (2012) sets up a conversation between a real and fictional mukhtar, or local mayor, in Beirut. On an intellectual level, it sifts through the residue of Ottoman, French and Lebanese law. On an emotional level, it asks throwaway, questions such as “Mukhtar, why do we fear fear when there is no fear?” On an aesthetic level, it reads like dry academic research.
Event Appearances
Negotiating Conflict
Alternative Future conference Lisbon, Portugal
2018-10-25
Bordering Practices: Negotiating Theory and Practice
AHRA conference This Thing Called Theory Leeds Beckett University
2015-01-01
Practising Ethics
Practising Ethics University College London
2015-01-01
Bodies in Public
Bodies in Public Queens University & American University of Beiru
2014-01-01
Articles
Bordering Practices: Negotiating Theory and Practice
Architecture and Culture2016
Following the shift from borders to bordering practices in the field of border studies, this article proposes bordering practices as specific kinds of critical spatial practice which occur through processes of negotiating and narrating, and are situated in relation to concepts of everyday life and spatial practice.