Biography
I'm storyteller, writer, educator, producer, and entrepreneur whose work is threaded in breaking barriers. As an educator and entrepreneur, I run Liberate Artists INC and Always, Enough Foundation. In continuing to utilize dance as the catalyst for change, I serve on the Intersectionality Committee for the International Association of Dance Medicine and Science, am a board member for Feel the Beat, and I serve as part of the Advisory Board for Choreographers Guild. I’ve most recently joined LMU Dance focusing on equitable commercial dance practices and recruitment as the Commercial Dance Program Developer, Director of Senior Industry Showcase, & Lecturer. In addition to my work in dance, I am the founder and executive producer of Boundary Issues Media. Boundary Issues Media is a digital and traditional media company that utilizes multiple platforms to tell one story or topic through the lens of underrepresented identities. From storyteller to educator to entrepreneur to producer, I inspire all to create positive change, in the positions in which folks hold power, while continuing to remind communities everywhere that, "You Are Enough," exactly as you are, in the skin and body you are in.”
Education (1)
Pace University: BFA, Musical Theatre
Areas of Expertise (22)
LGBTQIA+ Equality
Accessibility
Equity
guild/union knowledge
Management
Mentoring
Writing
business of dance
dance recruitment
Voice
commercial dance
Acting
Speech
Curriculum Development
hip hop history & culture
Producing
Directing
Marketing
Social Media
Diversity
Inclusion
Justice
Industry Expertise (3)
Education/Learning
Entertainment
Professional Training and Coaching
Affiliations (8)
- International Association of Dance Medicine and Science
- Liberate Artists
- Boundary Issues Media
- Actors Equity
- Dance Education Equity Association
- Feel the Beat
- Choreographers Guild
- Always Enough Foundation
Links (5)
Articles (1)
New Commercial Dance and Professional Opportunities Abound for Students
Campus News2023-04-19
“Traditionally, people from marginalized backgrounds have been told they can only be in certain roles or pieces. Through the decolonization of dance, we can build a new generation of decision makers who think about dance in different ways."
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