Professor Áine O'Healy is Professor of Italian and Chair of Classics and Archaeology at Loyola Marymount University.
University of Wisconsin: Ph.D.
University College Galway, National University of Ireland: B.A. and M.A.
Areas of Expertise (3)
Italian Cultural Studies
Transnational Film Studies
Indiana University Press, 2019.
(Editor with Anikó Imre and Katarzyna Marciniak). Palgrave, 2007. [Paperback edition, 2011]
Special Issue of California Italian Studies, vol 7, nos. 1 & 2 (2017) [Editor with Marguerite Waller].
Special Issue of Feminist Media Studies vol. 9, no. 4 (2009).[Editor with Katarzyna Marciniak and Anikó Imre]
"Cabiria in the Classroom: Teaching Fellini in the 21st Century"A Companion to Federico Fellini
ed. Frank Burke and Marguerite Waller. Oxford: Wiley Blackwell, 2020.
"Cinema accentato: Pratiche filmiche ccontroculturali"Le storie del cinema dalle origini al digitale
edited by Christian Uva and Vito Zagarrio. Rome: Carocci. 2020.
“Witnessing Mediterranean Migration through a Postcolonial Lens"Narrazioni postcoloniali della contemporaneità tra conflitto e convivenza
Special Issue of Imago no. 19, vol. 1 (2019) pp. 105-120.
Introduction (with Marguerite Waller)Moving Images
Special Issue of California Italian Studies vol. 7, no. 1 (2017), pp.1-6
“An Accented Gaze: Migrant and Transmigrant Filmmaking”A Companion to Italian Cinema
ed. Frank Burke, Wiley Blackwell, 2017. 484-499.
“Bound to Care: Gender, Affect, and Immigrant Labor”Italian Political Cinema: Public Life, Imaginary, and Identity in Contemporary Italian Film
ed. Giancarlo Lombardi and Christian Uva, Lang, 2016, pp. 56-67.
“‘Grateful to be American’: The Challenges of Teaching Transnational Documentaries”Teaching Transnational Cinema
ed. Katarzyna Marciniak and Bruce Bennett. Routledge, 2016. 202-215.
“Regarding the Pain of Others: Migrant Self-Narration, Participatory Filmmaking and Academic Collaboration” (with Clarissa Clò, Valerio Ferme, and Pasquale Verdicchio)California Italian Studies
6.1 (2016). 1-30. http://escholarship.org/uc/item/8z9679b3
“Imagining Lampedusa”Italian Mobilities
ed. Ruth Ben-Ghiat and Stephanie Malia Hom. Routledge, 2015, pp. 152-174.
“Witnessing History, Recounting Suffering: The Documentary Project of Andrea Segre”Destination Italy
ed. Emma Bond, Guido Bonsaver, Lang, 2015, pp. 415-430.
“Postcolonial Theory and Italy’s ‘Multicultural’ Cinema”The Italian Cinema Book
ed. Peter Bondanella, Palgrave, 2014, pp. 295-302.
“Towards a Transnational Approach to the Study of Contemporary Italian Film”The Italianist
vol. 34, No. 2 (2014), pp. 269–272.
“La nuova scuola napoletana: sogni, ricordi, fantasmi di una città mediterranea”Sindbad mediterraneo: Per una topografia della memoria da Oriente a Occidente
ed. Roberta Morosini and Charmaine Lee. Pensa Multimedia 2013, pp. 337-346.
“Transnational Mobility and Precarious Labor in Post-Cold War Europe: The Spectral Disruptions of Carmine Amoroso’s Cover Boy” (with Alice Bardan)The Cinemas of Italian Migration: European and Transatlantic Narratives
ed. Sabine Schrader and Daniel Winkler. CSP, 2013, pp. 68-90.