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Áine O'Healy - Loyola Marymount University. Los Angeles, CA, US

Áine O'Healy Áine O'Healy

Professor of Italian and Chair of Classics and Archaeology - Modern Languages and Literatures | Loyola Marymount University

Los Angeles, CA, UNITED STATES

Bellarmine College of Liberal Arts

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Biography

Professor Áine O'Healy is Professor of Italian and Chair of Classics and Archaeology at Loyola Marymount University.

Education (2)

University of Wisconsin: Ph.D.

University College Galway, National University of Ireland: B.A. and M.A.

Areas of Expertise (3)

Italian Cinema

Italian Cultural Studies

Transnational Film Studies

Articles (17)

Migrant Anxieties: Italian Cinema in a Transnational Frame

Indiana University Press, 2019.

Transnational Feminism in Film and Media

(Editor with Anikó Imre and Katarzyna Marciniak). Palgrave, 2007. [Paperback edition, 2011]

Cesare Pavese

Twayne, 1988.

Moving Images

Special Issue of California Italian Studies, vol 7, nos. 1 & 2 (2017) [Editor with Marguerite Waller].

Transcultural Mediations and Transnational Politics of Difference

Special Issue of Feminist Media Studies vol. 9, no. 4 (2009).[Editor with Katarzyna Marciniak and Anikó Imre]

“Witnessing Mediterranean Migration through a Postcolonial Lens" Narrazioni postcoloniali della contemporaneità tra conflitto e convivenza

Special Issue of Imago no. 19, vol. 1 (2019) pp. 105-120.

Introduction (with Marguerite Waller) Moving Images

Special Issue of California Italian Studies vol. 7, no. 1 (2017), pp.1-6

“An Accented Gaze: Migrant and Transmigrant Filmmaking” A Companion to Italian Cinema

ed. Frank Burke, Wiley Blackwell, 2017. 484-499.

“Bound to Care: Gender, Affect, and Immigrant Labor” Italian Political Cinema: Public Life, Imaginary, and Identity in Contemporary Italian Film

ed. Giancarlo Lombardi and Christian Uva, Lang, 2016, pp. 56-67.

“‘Grateful to be American’: The Challenges of Teaching Transnational Documentaries” Teaching Transnational Cinema

ed. Katarzyna Marciniak and Bruce Bennett. Routledge, 2016. 202-215.

“Regarding the Pain of Others: Migrant Self-Narration, Participatory Filmmaking and Academic Collaboration” (with Clarissa Clò, Valerio Ferme, and Pasquale Verdicchio) California Italian Studies

6.1 (2016). 1-30. http://escholarship.org/uc/item/8z9679b3

“Imagining Lampedusa” Italian Mobilities

ed. Ruth Ben-Ghiat and Stephanie Malia Hom. Routledge, 2015, pp. 152-174.

“Witnessing History, Recounting Suffering: The Documentary Project of Andrea Segre” Destination Italy

ed. Emma Bond, Guido Bonsaver, Lang, 2015, pp. 415-430.

“Postcolonial Theory and Italy’s ‘Multicultural’ Cinema” The Italian Cinema Book

ed. Peter Bondanella, Palgrave, 2014, pp. 295-302.

“Towards a Transnational Approach to the Study of Contemporary Italian Film” The Italianist

vol. 34, No. 2 (2014), pp. 269–272.

“La nuova scuola napoletana: sogni, ricordi, fantasmi di una città mediterranea” Sindbad mediterraneo: Per una topografia della memoria da Oriente a Occidente

ed. Roberta Morosini and Charmaine Lee. Pensa Multimedia 2013, pp. 337-346.

“Transnational Mobility and Precarious Labor in Post-Cold War Europe: The Spectral Disruptions of Carmine Amoroso’s Cover Boy” (with Alice Bardan) The Cinemas of Italian Migration: European and Transatlantic Narratives

ed. Sabine Schrader and Daniel Winkler. CSP, 2013, pp. 68-90.