James Kendrick, Ph.D.

Professor, Film & Digital Media, Undergraduate Program Director Baylor University

  • Waco TX

Expert on Spielberg films, cult & horror films, post-Classical Hollywood film history & new cinema technologies

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2 min

Nosferatu - Why Do Audiences Keep Coming Back for an Updated Classic?

It's the latest take on an old classic. Nosferatu took the Christmas box office by storm and might be the first time a vampire movie dominated the traditional holiday cinema season that's usually family friendly and purposely 'PG'. Even the critics agree that this new take on an old classic was worth the 'bite'. An adaptation of F.W. Murnau’s 1922 silent nightmare (which itself was based on Bram Stoker’s novel Dracula and remade once before, in 1979, by Werner Herzog), Nosferatu recounts the tale of a most devious Count: Orlok (Bill Skarsgård), who strives to reach Europe’s shores by purchasing an aged manor house by way of a deal solidified with real estate agent Thomas Hutter (Nicholas Hoult). Yet Orlok isn’t interested in seeing Germany’s tourist sights—his true goal is reuniting with Ellen Hutter (Lily-Rose Depp), Thomas’ bride, who called out to him as a girl and, in doing so, created a wicked bond that strengthens by the day. As imagined by Eggers and Skarsgård, the vampiric fiend is a towering figure of corruption and carnality who both resembles his predecessors and is a unique monster in his own right, and his reign of terror plays out via a series of lush, hypnotic set pieces that resound with unnerving malice and profane perversity. January The Daily Beast Horror movies have always had a certain allure for audiences, but there a re a few questions to ask: What does this story have that makes it possible to be remade over and over and still stay entertaining? What is it about vampires in particular that are linked to romance? As well, why do we pay money to be scared and why is this genre so popular and lasting? If you're covering this particular film or movies in general then let us help with your questions and stories. James Kendrick is a professor and undergraduate program director in the Department of Film & Digital Media at Baylor University, where he teaches about film theory/aesthetics, the history of motion pictures, media and society, the films of Steven Spielberg, violence in the media, and horror film. James Kendrick is available to speak with media. In fact, Nosferatu is James' favorite movie, so simply click on his icon now to arrange an interview time today.

James Kendrick, Ph.D.

3 min

The Must-Watch Scary Movies for Every Fear Factor

Spooky season has arrived, and there's no better way to get into the spirit than by enjoying some classic horror films. Whether you thrive on the thrill of a good scare or you’re more of a “hide your eyes” type, James Kendrick, Ph.D., a film historian and professor of film and digital media at Baylor University, has got you covered. From spine-tingling classics to not-so-scary flicks, Kendrick is here to help you navigate the perfect lineup of Halloween movies – no matter your fear tolerance. What makes horror movies scary? According to Kendrick, great horror films resonate with audiences by reflecting societal fears. "We are the monster," Kendrick said. Whether it's current social anxieties, cultural challenges or deep psychological fears, horror films have evolved to capture the essence of what we fear most, he said. The genre's core remains rooted in three essential elements: character and story, atmosphere and the monster. Without these, Kendrick said, the fear factor simply doesn’t work. Top 10 Horror Films Everyone Should See For those seeking true horror classics, Kendrick has developed a list of 10 must-watch films that exemplify the genre at its best. From early black-and-white masterpieces to modern independent hits, here are his recommendations: 1. Nosferatu (1922) 2. The Bride of Frankenstein (1935) 3. Cat People (1942) 4. Psycho (1960) 5. Night of the Living Dead (1968) 6. The Exorcist (1973) 7. Suspiria (1977) 8. Halloween (1978) 9. The Shining (1980) 10. The Babadook (2014) These films not only shaped the horror genre but also continue to be influential today, delving into psychological terror, societal anxieties and primal fears, Kendrick said. For the Faint of Heart: Scary Movies Without the Gore For those who want to enjoy the Halloween season without being overwhelmed by gore and violence, Kendrick offers his top 10 list of "terror" films that rely more on atmosphere and suspense than graphic horror. According to Kendrick, these terror films engage the audience emotionally and psychologically, drawing them into the fear without overwhelming them. The Innocents (1961) and A Quiet Place (2018) create tension and fear through the effective use of atmosphere, silence and emotional depth, he said. Kendrick’s top picks for lighter horror films include: 1. Vampyr (1932) 2. The Innocents (1961) 3. Kwaidan (1964) 4. Invasion of the Body Snatchers (1978) 5. The Vanishing (1988) 6. The Blair Witch Project (1999) 7. The Others (2001) 8. Take Shelter (2011) 9. Warm Bodies (2013) 10. A Quiet Place (2018) So, whether you’re a horror aficionado looking for spine-chilling classics, or just want to dip your toes into something a little spooky without the nightmares, Kendrick’s expert recommendations offer a Halloween movie night that’s perfect for everyone, thrill-seekers or scaredy-cats alike. Get your popcorn ready, turn off the lights (if you dare) and settle in for a frightfully good time this spooky season! ABOUT BAYLOR UNIVERSITY Baylor University is a private Christian University and a nationally ranked Research 1 institution. The University provides a vibrant campus community for more than 20,000 students by blending interdisciplinary research with an international reputation for educational excellence and a faculty commitment to teaching and scholarship. Chartered in 1845 by the Republic of Texas through the efforts of Baptist pioneers, Baylor is the oldest continually operating University in Texas. Located in Waco, Baylor welcomes students from all 50 states and more than 100 countries to study a broad range of degrees among its 12 nationally recognized academic divisions. Learn more about Baylor University at www.baylor.edu. ABOUT THE COLLEGE OF ARTS & SCIENCES AT BAYLOR UNIVERSITY The College of Arts & Sciences is Baylor University’s largest academic division, consisting of 25 academic departments in the sciences, humanities, fine arts and social sciences, as well as 11 academic centers and institutes. The more than 5,000 courses taught in the College span topics from art and theatre to religion, philosophy, sociology and the natural sciences. The College’s undergraduate Unified Core Curriculum, which routinely receives top grades in national assessments, emphasizes a liberal education characterized by critical thinking, communication, civic engagement and Christian commitment. Arts & Sciences faculty conduct research around the world, and research on the undergraduate and graduate level is prevalent throughout all disciplines. Visit the College of Arts & Sciences website.

James Kendrick, Ph.D.

1 min

What Makes Horror Movies Scary? “We do,” Says Baylor Film Expert

The best scary movies adapt to society’s current fears and turn current cultural, social and political preoccupations into elements of horror, says a Baylor University film historian and an expert on the horror film genre. “We are the monster,” said James Kendrick, Ph.D., associate professor of film and digital media in Baylor’s College of Arts & Sciences. Kendrick has authored three books: Darkness in the Bliss-Out: A Reconsideration of the Films of Steven Spielberg; Hollywood Bloodshed: Violence in the 1980s American Cinema; and Film Violence: History, Ideology, Genre. The themes of horror films have changed and developed over the years to capture the zeitgeist and adapt to societal fears, Kendrick said. However, as elements of fear transform with society, the elements of horror films remain. “Character and story, atmosphere and the monster,” Kendrick said. “That’s all you really need. Interesting, engaging characters in an effective setting pitted against some kind of monstrosity. That is the core of the genre, and anything and everything else grows from and functions to support those three elements.” The audience must be able to relate to characters and feel a sense of empathy for them, he said. The atmosphere must engage the audience and provide an effective platform for fear. Source:

James Kendrick, Ph.D.
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Biography

James Kendrick is a professor and undergraduate program director in the Department of Film & Digital Media at Baylor University, where he teaches about film theory/aesthetics, the history of motion pictures, media and society, the films of Steven Spielberg, violence in the media, and horror film.

His primary research interests are post-Classical Hollywood film history, violence in the media, cult and horror films, media censorship and regulation, the films of Steven Spielberg, action films, and cinema and new technologies.

He is the author of three books: "Darkness in the Bliss-Out: A Reconsideration of the Films of Steven Spielberg" (Bloomsbury Academic, 2014), "Hollywood Bloodshed: Violence in 1980s American Cinema" (Southern Illinois University Press, 2009), and "Film Violence: History, Ideology, Genre" (Wallflower Press, 2009). He edited the 24-chapter anthology "A Companion to the Action Film" (2019) for Wiley-Blackwell’s Companion series and is currently working on an book for the British Film Institute’s Film Classics series on" Midnight Cowboy."

In addition, he has published more than two dozen book chapters and peer-reviewed journal articles in Film Criticism, The Velvet Light Trap, the Journal of Film and Video, and the Journal of Popular Film and Television, as well as presented papers at numerous conferences. In addition to his academic work, he is the film critic for the website Qnetwork.com, where he has written more than 3,000 feature-length reviews.

Areas of Expertise

Violence in films
Cinema and new technologies
Media censorship and regulation

Education

Indiana University, Bloomington

Ph.D.

Communication & Culture

Baylor University

M.A.

Journalism

Baylor University

B.A.

English

Affiliations

  • Society for Cinema and Media Studies
  • University Film and Video Association
  • Online Film Critics Society

Media Appearances

It's the return of the B-movie - this time with A-list directors

The Times  online

2024-10-27

James Kendrick, Ph.D., is quoted about the return of classic Hollywood movie monsters in a series of prestige films, as leading directors turn to familiar foes to make sense of a tumultuous world.

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Texas is terrifying. Hollywood has noticed.

The Texas Tribune  online

2023-10-31

James Kendrick, Ph.D., is quoted about the state of Texas’ prominence in horror movies and television due to the potential for a classic rural, southern, isolating horror.

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10 Low-Budget Horror Movies Like Skinamarink That Have Terrified Audiences

TIME  online

2023-01-13

James Kendrick, Ph.D., is quoted about 10 of the most memorable low-budget scary movies. saying that “Psycho” was the first big, mainstream film that tapped into the fear of the monster within.

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Articles

Disturbing New Pathways: Psycho and the Priming of the Audience

Journal of Popular Film and Television

2010

This article uses priming effects to explore Psycho's narrative and visual effects on audiences. By taking into account how audiences had been primed by classical Hollywood films, it shows how Psycho's defiance of classical norms helped pave the way for future films by initiating audiences into a new narrative structure.

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Oxford Bibliography on Action Cinema

Oxford Bibliography

2015-05-01

A hybrid genre that fuses the moral landscape of the western and the urban settings of film noir and police procedurals, the action film as we know it today is a relatively new genre, having taken shape in the late 1960s and early 1970s and become a fully recognized and immensely popular cinematic form in the 1980s.

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