
Kai Gutschow
Associate Professor Carnegie Mellon University
- Pittsburgh PA
Kai Gutschow’s primary field of research has been the complex and controversial history of modern German architectural culture.
Biography
Gutschow’s primary field of research has been the complex and controversial history of modern German architectural culture, especially the role that architectural criticism, theory, and media culture played in influencing professional and cultural developments. He has finished a book manuscript titled “Inventing Expressionism: Art, Criticism, and the Rise of Modern Architecture,” an intellectual history of the origins of Expressionism in German architecture from 1905-1925. It argues that Expressionist architecture arose not primarily out of a revolutionary political moment that followed World War I in Berlin, as is often maintained, but rather out of a widespread and continuous evolution of ideas on the role of “expression” in modern architecture from the late nineteenth century to the mid-1920s. He is also working on an edited volume of essays discussing the rich history and impact of expressive and expressionist sensibilities in architectural history. In addition to his book projects, he has lectured on and published refereed journal articles and book chapters on a variety of related topics, including the work of the German architectural critic Adolf Behne, on Bruno Taut’s iconoclastic “Glashaus” as “Installation Art,” on the East African colonial architecture of the German modernist Ernst May, on the modernity of the conservative critic Paul Schultze-Naumburg, and on the German patriotism and Jewish heritage of the German critic Walter Curt Behrendt. His most recent project is a larger history of postwar architecture in Pittsburgh.
Gutschow has combined this original historical research with a leadership role in promoting the importance of history, theory, and research in the design programs at CMU.
Areas of Expertise
Media Appearances
Why so many architects are angered by ‘Making Federal Buildings Beautiful Again'
The Conversation online
2020-02-12
Decades of federal architectural policy would be upended if the Trump administration follows through on an executive order that was leaked to the Architectural Record on Feb. 4.
Social
Industry Expertise
Education
Columbia University
Ph.D.
Architecture & Art History
2005
Columbia University
M.Phil.
Art History & Archaeology
1997
University of California, Berkeley
M.Arch.
Architecture
1993
Swarthmore College
B.A.
Art History
1986
Links
Event Appearances
HACLab Pittsburgh Salon: Live, Work, Move, Play
“Imperfectly Modern” on Postwar Pittsburgh Carnegie Museum of Art
Articles
The anti-mediterranean in the literature of modern architecture
Modern Architecture and the Mediterranean2009
In the heated battles to define modern architecture in Germany at the beginning of the twentieth century, well-chosen propaganda images played a vital role in shaping public opinion as well as the profession. Architects on all sides of the debates used the nascent media culture of the day to make their often complex arguments memorable and easily understood. Many of the most potent images were created in the wake of Stuttgart's large Weissenhof housing exhibition of 1927, designed by an all-star cast of modern architects from around Europe.
From Object to Installation in Bruno Taut's Exhibit Pavilions
Journal of Architectural Education2006
This study investigates the gradual evolution of the idea of installation in three experimental exhibition pavilions designed before World War I by the German architect Bruno Taut. In collaboration with the critic Adolf Behne, Taut gradually transferred ideas from Expressionist painting to architecture and helped move his designs, and with it modern architecture more generally, from a focus on visual “objects,” to multisensory “experiences,” an idea that continues to resonate in modern installations today.