Manisha Sinha is professor and the James L. and Shirley A. Draper Chair in American History. She was born in India and received her Ph.D from Columbia University where her dissertation was nominated for the Bancroft prize. She was awarded the Chancellor’s Medal, the highest honor bestowed on faculty and received the Distinguished Graduate Mentor Award in Recognition of Outstanding Graduate Teaching and Advising from the University of Massachusetts, Amherst, where she taught for over twenty years. Her recent book The Slave’s Cause was reviewed by The Times Literary Supplement, The New York Review of Books, The Wall Street Journal, The New York Times, The Christian Science Monitor, The Atlantic, and The Boston Globe, among other newspapers and journals. It was featured as the Editor’s Choice of the New York Times Book Review. It was named the book of the week by Times Higher Education in May, 2016 to coincide with its UK publication and one of three Great History Books for 2016 in Bloomberg News. Her first book, The Counterrevolution of Slavery, was named one of the ten best books on slavery in Politico in 2015. In 2017, she was named one of Top Twenty Five Women in Higher Education by the magazine Diverse: Issues in Higher Education.
Sinha’s research interests lie in United States history, especially the transnational histories of slavery and abolition and the history of the Civil War and Reconstruction. She is a member of the Council of Advisors of the Lapidus Center for the Historical Analysis of Transatlantic Slavery at the Schomburg, New York Public Library, co-editor of the “Race and the Atlantic World, 1700-1900,” series of the University of Georgia Press, and is on the editorial board of the Journal of the Civil War Era. She has written for The New York Times, The New York Daily News, Time Magazine, CNN, The Boston Globe, The Washington Post, and The Huffington Post and been interviewed by The Times of London, The Boston Globe, and Slate. She appeared on Jon Stewart’s The Daily Show in 2014. She was an adviser and on-screen expert for the Emmy nominated PBS documentary, The Abolitionists (2013), which is a part of the NEH funded Created Equal film series. Professor Sinha is on leave for the 2016-2017 academic year working on her new book on abolition and the making of Radical Reconstruction.
Areas of Expertise (3)
Columbia University: Ph.D.
Top 25 Women in Higher Education and Beyond (professional)
Diverse: Issues in Higher Education
Media Appearances (5)
Tucker Carlson Wrongly Says United States 'Ended Slavery Around the World'
"If anyone could lay claim to leading anti-slavery forces in the world it was Britain, which after it abolished the slave trade and slavery made anti-slavery a leading aspect of its foreign policy and policed the Atlantic to end the slave trade," University of Connecticut history professor Manisha Sinha said...
Was Abraham Lincoln an Incorrigible Racist?
The Washington Post
The black intellectual and activist W.E.B. Du Bois identified the problem of the 20th century as the problem of “the color line.” Its roots lay in the conflict over slavery and black citizenship in the early American republic. Statesmen, abolitionists, slaveholders and the enslaved themselves participated in this debate, which eventually begat the Civil War and emancipation...
Silencing Elizabeth Warren: Gag Rules Have a Long, Dark History
Democratic Sen. Elizabeth Warren seems to have inherited the mantle and fighting spirit of her predecessors from Massachusetts...
Lessons Taught: Obama’s Legacy as a Historian
The New York Times
Manisha Sinha, a professor at the University of Connecticut and the author of “The Slave’s Cause,” a history of abolition, pointed to Fort Monroe in Virginia, Mr. Obama’s first monument designation, in 2011. Mr. Obama’s proclamation notes the fort’s “storied history in defense of our nation.” But it focuses mainly on the enslaved African-Americans who sought refuge there early in the Civil War, setting off an argument that led, ultimately, to the Emancipation Proclamation...
New York’s Secret Doors and Hidden Rooms
The New York Times
“People did hide in false places and attics, places that were inaccessible in houses,” said Manisha Sinha, a professor of history at the University of Connecticut and the author of “The Slave’s Cause: A History of Abolition,” (Yale University Press, 2016). “What I think is a little questionable is when everyone claims today that the attic in their house hid fugitive slaves.”...
The election of the first African-American president prompted something of a renaissance for films about slavery and race as audiences became more receptive to this new history. During Obama’s presidency, films including Lincoln, Django Unchained, 12 Years a Slave, The Birth of a Nation, and 13th were released. These movies have helped popularize a more holistic history of slavery and its legacy, and in ...
In 1865, William Lloyd Garrison wondered whether he had become a Lincoln emancipationist or Abraham Lincoln had become a Garrisonian abolitionist. This article traces the evolution of Lincoln’s views on slavery and race, from free soil to abolition and from colonization to black citizenship. It argues that at the end of his life, Lincoln inhabited abolitionist ground when he called for limited ...
The sesquicentennial of the Emancipation Proclamation, issued in the midst of the Civil War in 1863, has proven to be a veritable boon to emancipation studies. Several recently published books, including those considered in this essay, have added depth and dimension to the story of the coming of emancipation. The question remains whether they add anything to the history that has now become familiar ...
Whereas, on the twenty-second day of September, in the year of our Lord one thousand eight hundred and sixty-two, a proclamation was issued by the President of the United States, containing, among other things, the following, to wit...
Historians have yet to fully appreciate the alternative and radical nature of black abolitionist ideology and its origins in the revolutionary era and the early Republic. Most continue to portray black abolitionists, in Patrick Rael's words, not as "counterhegemons" but as "cofabricators" of northern political culture. They argue that African Americans appropriated mainstream values and ideas to construct ...