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Rosalynde LeBlanc

Professor of Dance Loyola Marymount University

  • Los Angeles CA

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Biography

Rosalynde LeBlanc is a Peabody Award-winning producer, and a New York Dance and Performance Award (BESSIE) nominated performer, as well as a choreographer and educator who has spent over thirty years in dance. She is a full professor at Loyola Marymount University and chaired the dance department from 2019-2025, instituting new programs like SHIFT: Moving (Beyond) Oppressive Systems in Dance, the Equitable Commercial Dance Program, and the Bill T. Jones/Arnie Zane Company Educational Partnership. Roz’s scholarly research examines movement as an archive and a conveyor of the lived experience. Her work spans the media of live performance, film, and creative nonfiction, and from 2023-24 she served as Loyola Marymount University’s first Director of Scholarly and Creative Practice.

Roz has choreographed dances for many professional and student companies around the country, among them, L.A. Contemporary Dance Company, St. Paul’s School, and SUNY Brockport. In 2025, Roz was one of two choreographers selected for L.A. Dance Project’s competitive choreographic residency LAUNCH:L.A. where she created the multimedia, dance-theater piece, WOMANLAND which went on to receive the Finalist Award from the National Dance Project (NDP). Roz also produced and co-directed the critically acclaimed documentary film, “Can You Bring It: Bill T. Jones and D-Man in the Waters,” earning research and production grants from the Drollinger, Graves, Mellon, and Ford foundations. The film was a N.Y. Times Critic’s Choice and on the ‘Best Films’ lists of Vulture and Esquire magazines. In 2023, “Can You Bring It” won the Peabody Award, which recognizes “the most powerful, enlightening, and invigorating stories in all of television, radio, and online media.”

Roz began her professional dance career at nineteen as a member of the Bill T. Jones/Arnie Zane Company. She then danced with Mikhail Baryshnikov as a member of his White Oak Dance Project and continued to guest with New York’s Metropolitan Opera, the Salzburg Opera Festival, and many independent choreographers. She still performs for stage and screen.

Roz’s work in dance and service to education earned her an honorary induction into the Jesuit Honor Society, Alpha Sigma Nu, and the 2025 Exemplary Women in Dance in L.A. award. She holds an undergraduate degree from the State University of New York at Purchase and a Master of Fine Arts from Hollins University.

Education

State University of New York at Purchase

B.F.A.

Dance

1994

Hollins University

M.F.A.

Dance

2011

Areas of Expertise

Dance Performance
Choreography
Producing
Filming Dance
Dance Pedagogy
Documentary Film Production

Industry Expertise

Performing Arts
Professional Training and Coaching
Education/Learning
Program Development

Accomplishments

2025 Exemplary Women in Dance in L.A. Award

Awarded by MASH-UP Dance and the International Women's Dance Dance Festival for significant contributions to dance in Los Angeles

Peabody Award

The Peabody Award recognizes “the most powerful, enlightening, and invigorating stories in all of television, radio, and online media.”

Alpha Sigma Nu, Jesuit Honor Society

Alpha Sigma Nu recognizes persons who have distinguished themselves in scholarship, loyalty, and service.

Affiliations

  • Movement Talent Agency
  • Bill T. Jones/Arnie Zane Dance Company
  • Mikhail Baryshnikov's White Oak Dance Project
  • Colleen Thomas Dance
  • Keith Johnson & Dancers

Media Appearances

Peabody Conversations

University of Georgia - Peabody Awards  online

Interview with Roz and Tom about their film "Can You Bring It" at 2023 Peabody Awards

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Movers & Shapers Podcast #157 Rosalynde LeBlanc

Movers & Shapers  online

Erin Carlisle Norton interviews Rosalynde LeBlanc about her life in dance on her podcast Movers & Shapers

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A Heroic Disruptor

The Loyolan - LMU  online

An Interview with celebrated ballet dancer, Misty Copeland

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Research Focus

Movement as an archive and conveyor of the lived experience

Through choreography, performance, film, and creative non-fiction, I explore the unconscious thoughts that move physicality and the invisible systems that move cultures.

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Research Grants

NDP Finalist Award

National Dance Project

2026-07-27

For continued development of the multi-media dance-theater work, WOMANLAND

Ford Foundation/JustFilms

Ford Foundation

Post-production grant for doc film, "Can You Bring It: Bill T. Jones and D-Man in the Waters"

Arts and Cultural Heritage Grant

Andrew W. Mellon Foundation

2019-01-01

Production grant for doc film, "Can You Bring It: Bill T. Jones and D-Man in the Waters"

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Articles

Hair: In Three Styles

Cultural Studies - Critical Methodologies

Rosalynde LeBlanc

2023-05-26

In this creative, nonfiction piece, the author embodies a poetic autoethnography that explores the politics of Black hair and skin color in shifting socio-cultural contexts across 40 years. The exploration is not just about hair, but the politics of hair that are rooted in social constructions of beauty, gender, identity, and the relationality of living and loving across time and bodies. Here, the notion of style is explored as the politics of preference and desire; as a technique of doing, of caring for oneself, of being and being seen; as a way of remembering; as evidence of choices having been made.

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Tripping the Light Fantastic: A Collaborative Auto-ethnography on Choreography, Dance, and (Black) Experience

Cultural Studies - Critical Methodologies

Bryant K. Alexander, Rosalynde LeBlanc, Tanya Wideman Davis, Thaddeus Davis

2023-12-20

This collaborative autoethnography invites the reader to experience and audience four performative reflections on the prompt “tripping the light fantastic” as a foray into experiences with/through dance as performative cultural practice, along with an invitation to reflect on experiences of their own relations to culture, dance, being, and becoming.

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L.A. Dance Project’s LAUNCH: LA 25 Presented Two Very Strong Works

L.A. Dance Chronicle

Jeff Slayton

2025-09-23

Jeff Slayton reviews WOMANLAND

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