Áine O'Healy
Professor of Modern Languages and Literatures - Italian
Media
Biography
Education
University of Wisconsin
Ph.D.
University College Galway, National University of Ireland
B.A. and M.A.
Areas of Expertise
Articles
Indiana University Press, 2019.
(Editor with Anikó Imre and Katarzyna Marciniak). Palgrave, 2007. [Paperback edition, 2011]
Twayne, 1988.
Moving Images
Moving Images Special Issue of California Italian Studies, vol 7, nos. 1 & 2 (2017) [Editor with Marguerite Waller].Transcultural Mediations and Transnational Politics of DifferenceSpecial Issue of Feminist Media Studies vol. 9, no. 4 (2009).[Editor with Katarzyna Marciniak and Anikó Imre]
“Antigypsyism, Romani Identity, and Intersectional Dilemmas in the Films of Laura Halilovic,” J
Journal of Postcolonial Writing, vol 58, no. 5, 2022. Pp. 698-712. Revised and republished in Intersectional Italy,edited by Caterina Romeo and Giulia Fabbri,Routledge, 2024
“Antigypsyism, Romani Identity, and Intersectional Dilemmas in the Films of Laura
Halilovic,” Journal of Postcolonial Writing, vol 58, no. 5, 2022. Pp. 698-712.
Revised and republished in Intersectional Italy, edited by Caterina Romeo and
Giulia Fabbri, Routledge, 2024.
Immigration and Italianità: Shifting Configurations of Inclusion and Exclusion on Italian Screens
Rome: Edizioni Tab“Immigration and Italianità: Shifting Configurations of Inclusion and Exclusion on Italian Screens,” Migrazioni, cittadinanze, inclusività: Narrazioni dell’Italia plurale tra immaginario e politiche per la diversità, edited by Leonardo Di Franceschi. Rome: Edizioni Tab, 2022. 37-53.
Narrating the Transnational Trajectories and Transgender Performances of the Sworn Virgin
The Italianist“Narrating the Transnational Trajectories and Transgender Performances of the Sworn Virgin” (with Caterina Romeo). The Italianist vol. 42, no. 2, 2022.
"Cabiria in the Classroom: Teaching Fellini in the 21st Century"
A Companion to Federico Felliniedited by Frank Burke and Marguerite Waller. Oxford: Wiley Blackwell, 2020.
"Cinema accentato: Pratiche filmiche ccontroculturali"
Le storie del cinema dalle origini al digitaleedited by Christian Uva and Vito Zagarrio. Rome: Carocci. 2020.
“Witnessing Mediterranean Migration through a Postcolonial Lens"
Narrazioni postcoloniali della contemporaneità tra conflitto e convivenzaSpecial Issue of Imago no. 19, vol. 1 (2019) pp. 105-120.
Introduction (with Marguerite Waller)
Moving ImagesSpecial Issue of California Italian Studies vol. 7, no. 1 (2017), pp.1-6
“An Accented Gaze: Migrant and Transmigrant Filmmaking”
A Companion to Italian Cinemaed. Frank Burke, Wiley Blackwell, 2017. 484-499.
“Bound to Care: Gender, Affect, and Immigrant Labor”
Italian Political Cinema: Public Life, Imaginary, and Identity in Contemporary Italian Filmed. Giancarlo Lombardi and Christian Uva, Lang, 2016, pp. 56-67.
“‘Grateful to be American’: The Challenges of Teaching Transnational Documentaries”
Teaching Transnational Cinemaed. Katarzyna Marciniak and Bruce Bennett. Routledge, 2016. 202-215.
“Regarding the Pain of Others: Migrant Self-Narration, Participatory Filmmaking and Academic Collaboration” (with Clarissa Clò, Valerio Ferme, and Pasquale Verdicchio)
California Italian Studies6.1 (2016). 1-30. http://escholarship.org/uc/item/8z9679b3
“Imagining Lampedusa”
Italian Mobilitiesedited by Ruth Ben-Ghiat and Stephanie Malia Hom. Routledge, 2015, pp. 152-174.
“Witnessing History, Recounting Suffering: The Documentary Project of Andrea Segre”
Destination Italyed. Emma Bond, Guido Bonsaver, Lang, 2015, pp. 415-430.
“Postcolonial Theory and Italy’s ‘Multicultural’ Cinema”
The Italian Cinema Bookedited by Peter Bondanella, Palgrave, 2014, pp. 295-302.
“Towards a Transnational Approach to the Study of Contemporary Italian Film”
The Italianistvol. 34, No. 2 (2014), pp. 269–272.
“La nuova scuola napoletana: sogni, ricordi, fantasmi di una città mediterranea”
Sindbad mediterraneo: Per una topografia della memoria da Oriente a Occidenteedited by Roberta Morosini and Charmaine Lee. Pensa Multimedia 2013, pp. 337-346.
“Transnational Mobility and Precarious Labor in Post-Cold War Europe: The Spectral Disruptions of Carmine Amoroso’s Cover Boy” (with Alice Bardan)
The Cinemas of Italian Migration: European and Transatlantic Narrativesedited by Sabine Schrader and Daniel Winkler. CSP, 2013, pp. 68-90.