Amid Detainees' Release, Putin Flaunts Power and Flouts Western Influence

Aug 22, 2024

3 min

Lynne Hartnett, PhD

On August 1, the United States, Russia, Germany and three other European nations engaged in an historic 24-person East-West prisoner exchange.


The largest such swap since the end of the Cold War, the multi-country deal secured the release of three prominent American detainees: Wall Street Journal correspondent Evan Gershkovich, corporate security executive Paul Whelan and Radio Free Europe/Radio Liberty editor Alsu Kurmasheva. It also freed a dozen Russian opposition leaders, incarcerated in their native country for challenging Vladimir Putin and his authoritarian regime.


Lynne Hartnett, PhD, is the chair of Villanova University’s Department of History and an expert on modern Russia, protest movements and dissidents in exile. Recently, she shared some insights on the Kremlin's decision to release the American and Russian prisoners—as well as the egotism, oppressive tendencies and political posturing that drove their detention.


Q: The arrests and sentencings of Gershkovich, Whelan and Kurmasheva have been described as "outrageous," "a mockery of justice" and reflective of "a total disregard for basic freedoms." What prompted Putin and the Russian government to detain these individuals?


Dr. Hartnett: For Putin, seizing Gershkovich, Whelan and Kurmasheva was a power play. They were pawns for him to use when he deemed it convenient. If they could be used in a prisoner swap, they would be. But if that time never arrived, their incarceration, suffering and even potential deaths were inconsequential to him.


Their arrests were also a signal that, in Russia, Putin's authority is uncontested. These were American citizens, and around the world, a U.S. passport opens doors: It holds power; it provides access; and it affords its holder protection. But the arrests of Gershkovich, Whelan and Kurmasheva were Putin’s attempt to demonstrate the limits of American influence. They were meant as a signal that, in Russia, a U.S. passport becomes meaningless if it serves Putin to make it so.


Q: In recent years, the Russian government has seemingly worked to rehabilitate the reputations of figures like Josef Stalin, who infamously used the Soviet Gulag to stifle opposition and criticism. Is Putin's use of detentions as a political cudgel similar?


DH: The show trials of the Stalinist era are frequently referenced. However, it should be stressed that those were largely intended for domestic consumption. They were used to justify the Communist elites' repression of fellow citizens by broadcasting "evidence" that enemies lurked within.


The trials of Americans like Gershkovich and Brittney Griner [a professional basketball player detained on smuggling charges] were designed to show the world, not just Russians, that Putin's regime would not be cowed—even if the person being tried had fame and a powerful enterprise, like the Wall Street Journal or the WNBA, supporting them.


Q: The New York Times recently ran a piece on the Russian dissidents released, claiming "hopes are high [they] will breathe new life into a fragmented opposition force." What do you anticipate these political players' activism will look like in the coming years, especially in exile?


DH: As in the Imperial and Soviet periods, Russian censorship prevents any news or opinions that are not the government's from coming to light. As Putin has dismantled political opposition in Russia and tightened his grip on any vestiges of civil society in the country, there is little hope that a powerful opposition movement can gain momentum without outside support.


This is where the Russian dissidents living abroad come in. They will ensure that a vision for another type of Russia is articulated.


At the end of the 19th and the beginning of the 20th centuries, political exiles smuggled illegal newspapers and journals into the Russian empire to instill hope in their compatriots, to give them some indication that a nation beyond the autocracy was achievable. This, in my opinion, is the role that Russian dissidents living in exile must have today.


They must provide the vision. They must provide the hope.


While they cannot change the system on their own—they need a movement en masse—the dissidents abroad are needed to demonstrate that a nation without Putin and his repressive regime is possible. This is certainly not an easy venture, and it will require extraordinary sacrifices to be made a reality. However, it may be the Russian people's only hope.


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Lynne Hartnett, PhD

Lynne Hartnett, PhD

Professor and Chair of History | College of Liberal Arts and Sciences

Lynne Hartnett, PhD, is an expert on Russian history, protest movements and refugees and political exile.

Protest MovementsPolitical ExileHistory of RevolutionRussiaRussian History
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Reports Claim "Zootopia 2" Is Causing Surging Sales of Venomous Blue Snakes. Villanova Professor Ryan Almeida Cautions It's Likely More Nuanced

As Disney’s “Zootopia 2” barrels toward becoming the highest-grossing animated Disney movie of all-time, the box office isn’t the only place fans of the franchise are apparently flocking. Recently, CNN reported that “Zootopia 2” fans in China—where the wildly popular movie has already been crowned it’s highest-grossing foreign animated film ever—have expressed increased interest in owning Indonesian pit vipers, a striking blue and highly venomous snake portrayed as an anthropomorphic protagonist named Gary De’Snake in the film. The outlet spoke to individuals who purchased the animal after seeing “Zootopia 2” and noted surges in searches and prices among exotic pet retailers. The reported phenomenon prompts the question: can blockbuster movies really be drivers of the exotic pet trade? “I think they can,” said Ryan Almeida, PhD, an assistant teaching professor of Geography and the Environment at Villanova University who studies the exotic pet trade. “There have been a lot of anecdotal reports of movies and TV shows influencing the pet trade, but the peer-reviewed evidence isn’t there.” Causation or Correlation? Reasons for Pet Demand are Tricky to Single Out While the increased interest in the pit viper may be the latest pet trend influenced by the entertainment industry, it is certainly not the first, says Dr. Almeida, who has recently been conducting research at wildlife expos in an effort to understand more of the intricacies of various pet-related trends. In the 1980-90s, red-eared slider turtles became massively popular pets, and it just so happened to coincide with a popular new show based off the animal. “The Teenage Mutant Ninja Turtles craze, especially in the United Kingdom, probably helped drive demand for these turtles as pets,” Dr. Almeida said. “Turtle exports from the United States exploded in popularity during this time, there just is a not a peer-reviewed study demonstrating it was definitely caused by the show.” In the 2000’s, Pixar’s “Finding Nemo” and its sequel, “Finding Dory,” reportedly bolstered purchases of clownfish and blue tangs—the fish for whom those characters were modeled. Interest in owning owls as pets was also said to have spiked among Harry Potter fans in certain parts of the world amid the height of the joint movie/book popularity. Though much of the evidence of these trends is anecdotal, anecdotal doesn’t necessarily mean it didn’t happen. For instance, it’s difficult to completely discredit an exotic pet retailer who reported a 500% sales increase of an animal featured in a recent, very popular movie. But it’s also difficult to prove the causation, not to mention the scale. Dr. Almeida, who is interested in the qualities that make exotic pets desirous to consumers, says that even if sales of an animal from a movie did increase, the reasons are likely far more nuanced than just their appearance on screen. “Rarity is one important factor. We have good evidence that that certain [consumers] care a lot about rarity, that prices rise as animals become rarer and that retailers sell more animals if they are rare.” Another is morphology, or the physical structure of the animal. “Animals with unique morphology or distinctive colorations and patterns are more susceptible for these spikes in demand,” he said. “If Gary De’Snake was a brown, common garter snake and not a striking blue colored viper, I doubt we would see this attention. “I suspect that that's partially why this snake species, Trimeresurus insularis, was chosen for this movie, and why the fish representing Nemo and Dory are the ones they are, and not one of the millions of more boring looking fish species out there.” Even the on-screen portrayal, he suspects, makes a difference. “If the characters are protagonists, that could potentially either consciously or subconsciously, lead to more positive associations with the pet, especially for something like a pit viper, which probably has sort of a negative connotation to go with it in the first place. Also, the way these animals are anthropomorphized likely matters to some degree to people who report buying these animals because of the movie.” Case in point, one purchaser of the highly venomous viper told CNN that the movie helped give “reptile pets a better image,” saying of Gary De’Snake “I love his enthusiastic attitude and his sense of responsibility,” which would not be qualities associated with or displayed by the actual living species. “Attention to all of this falls in line with the same sort of things we are already know are drivers of demand in the pet trade,” Dr. Almeida said. Blockbuster Movies Probably Don’t Make Blockbuster Pet Trends Yet, while Dr. Almeida cedes that there is likely some degree of real demand for exotic pets based on movies (as evidenced by the self-reporting of people doing so for that reason), he cautions that there is very little to suggest these types of trends typically occur on large scales, especially those large enough to make any ecological impacts. He referenced a 2019 paper published by researchers at the University of Oxford, which looked at the purported increase of clownfish and blue tang sales after “Finding Nemo” and “Finding Dory.” “They found that there was an increase in the amount of people searching for the animal online, but not any evidence that retailers were importing more blue tangs, consumers were buying more blue tangs, or even that people were going to an aquarium to see them.” The findings, per the University of Oxford, suggested “that the impact of movies is limited when it comes to large scale buying of animals.” The authors also noted the role of viral media articles in suggesting this plausible causation was a hard-and-true phenomenon. Similarly, a 2017 study concluded that, contrary to popular belief, the Harry Potter series was unlikely to have increased demand for pet owls in the United Kingdom. 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Pet trends certainly do happen on large scales, and whether they are caused by movies in part or not at all, they can have dire ecological consequences. Look at the case of the red eared slider. “Regardless of any possible influence from the show, these turtles are relatively easy to captive breed, so therefore relatively easy to acquire,” Dr. Almeida said. “But they are tough pets. They live a really long time and are kind of hard to care for, and that leads to people releasing them into the wild. They are now among the most invasive reptile species on the planet.” So much so, that the UK banned their sale in 1996. “It ties back to the complications of assessing certain aspects of the wildlife trade. There are so many factors, how do we get the entire picture? 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Q: What specific trade dress trademarks are they claiming have been infringed upon? PM: There are at least two registered trademarks that Smucker's is drawing legal attention to. In 2002, Smucker's had trademarked the image of an Uncrustables sandwich that has pie-crimping indentations or marks along the circumference of the sandwich, and in 2019, the company trademarked the image of an Uncrustables sandwich with a bite taken out of it. Smucker's argument is that the Trader Joe's packaging for a similar crustless peanut butter and jelly shows an image of a sandwich with a bite taken out of it, as well as the crimping along the outer edges. Q: How does one make a legal case out of something like this? PM: In order to effectively file a trademark infringement lawsuit, the plaintiff must not only show that their federally-protected intellectual property rights are being infringed upon, but also demonstrate that as a result of this infringement, the customer or consumer is being confused. 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