Peter Krapp
Professor, Film & Media Studies UC Irvine
- Irvine CA
Expertise in: Secret communications & cryptologic history; cultural memory and media history; history of computing & simulations
Media
Social
Biography
Areas of Expertise
Accomplishments
Distinguished Mid-Career Faculty Award for Service
2011-12
UC Irvine Academic Senate
CORCL Research Award
March 2010
UC Irvine
Education
University of California, Santa Barbara
PhD
German & Comparative Literature
2000
University of Stirling, Scotland
MPhil
English Literature
1994
University of Bonn
BA
English, Philosophy, Musicology, Religious Studies
1991
Affiliations
- Society for Cinema and Media Studies (SCMS)
- Modern Language Association (MLA)
- National Communications Association (NCA)
- Gesellschaft für Medienwissenschaft (GfM)
Links
Media Appearances
Computing Legacies
New Books Network online
2025-05-05
We're pleased to welcome Dr. Peter Krapp, the author of Computing Legacies: Digital Cultures of Simulation to the New Books Network. … Simulation, this book demonstrates, is pivotal not only to high-tech research and to archives, museums, and the preservation of digital culture but also to our understanding of what it is to live and work under the technical conditions of computing. … Dr. Peter Krapp is a Professor of Film & Media Studies, English, and Music at UC Irvine.
ChatGPT is suddenly everywhere. Are we ready?
Engadget online
2023-02-03
ATGs, [automated text generation], like ChatGPT remix text passages plucked from their training data to output suspiciously realistic, albeit frequently pedestrian, prose. “They're trained on a very large amount of input,” Dr. Peter Krapp, Professor of Film & Media Studies at the University of California, Irvine, told Engadget. “What results is more or less… an average of that input. It's never going to impress us with being exceptional or particularly apt or beautiful or skilled. It's always going to be kind of competent — to the extent that we all collectively are somewhat competent in using language to express ourselves.”
Surveillance is pervasive: Yes, you are being watched, even if no one is looking for you
The Conversation online
2022-07-22
Most Americans are aware of video surveillance of public spaces. Likewise, most people know about online tracking – and want Congress to do something about it. But as a researcher who studies digital culture and secret communications, I believe that to understand how pervasive surveillance is, it’s important to recognize how physical and digital tracking work together.
Will Spotify and Apple Music soon be forced to jack up their prices?
Mashable online
2018-01-31
In fact, UC Irvine media studies professor Peter Krapp told Mashable it would take about 4 million Spotify streams for a songwriter to make minimum wage in California over the course of a month.
Commentary: Net neutrality vote will require users to 'pay to play'
LA Times online
2017-12-20
Net neutrality vote will require users to 'pay to play'.
Culture-defining iPhone turns 10
USA Today online
2017-01-09
"The engineering is in the background, so the front end is really easy to use, with just a swipe or a poke of the finger," says Peter Krapp, professor of film & media studies at the University of California, Irvine. “That’s the success of the iPhone and why it’s has been so colonizing over the last decade.”
Event Appearances
Opening lecture of the 16th Image Week debates the glitch beyond digital error
TCAv
2018-05-15
Virtual Espionage
GCHQ and NSA take on MMOs Stanford University
Articles
Noise and Error in Contemporary Technoculture – An Interview with Peter Krapp
Spheres Journal for Digital Cultures2019
On our questioning, we approach Krapp to discuss themes such as the ergonomic principles which play a central role in graphical user interfaces infrastructural development, the aestheticization of error in digital culture, and the unstable relationship between noise ratio and technological conditions in digital music production.
Beyond Schlock on Screen: Teaching the History of Cryptology Through Media Representations of Secret Communications
Proceedings of the 2nd International Conference on Historical CryptologyPeter Krapp
2019
This paper lays out the course design for, and teaching experiences with, a class that introduces students in the humanities to the history of cryptology, with particular attention to film and media studies. The course covers principles of secret communication from ancient times to the 2 I81 century, and encourages students to develop creative solutions that may help portray computing, computer networks, and cybersecurity issues in more informed and accurate ways on screen.
Adoption of open educational resources in California colleges and universities
International Journal of Teaching and Case StudiesRuth A. Guthrie, Katherine D. Harris, Peter Krapp
2018
The California Open Educational Resources Council (CAOERC) was formed in 2014 to find solutions to reduce the cost of college textbooks without impacting quality. Comprised of faculty from California's three public higher education systems, the CAOERC conducted a field study of 16 faculty using OER materials to discover practical knowledge about the challenges of adopting OER textbooks. The quality of the OER textbooks received positive reviews. The faculty also reported being more engaged with their teaching. The faculty felt that availability of OER support materials was a challenge to implementing OER. The following article presents the results of the CAOERC's study.
Reading for the Noise
Journal of Visual CulturePeter Krapp
2014
My first encounter with Marshall McLuhan's work was through an aunt studying design who told me about Jerome Agel; leafing through Herman Kahnsciousness (Agel, 1973), The Making of Stanley Kubrick's 2001 (Agel, 1970), and of course The Medium is the Massage (McLuhan with Fiore and Agel, 1967), I wondered how these noisy collages could be read?
MMO Models: Crowd-Sourcing Economedia
Flow Journal2013
Business models for digital culture oscillate between box-office hit and niche product; what models can media studies develop to unfold how this influences both the quality and availability of computer games? Finance draws a distinction between rational expectations that the market naturally finds to a balance: one may realize ‘beta’ in the wisdom of the crowds—and the surmise of reflexive behaviorists that the world is always subject to fluctuating imbalance: one may realize ‘alpha’ in the mass mania of the markets.
The High Cost of Free Content: Games & Advertising
Flow Journal2013
Contemporary computing culture is changing under the influence of mobile gaming trends, and as game developers seek new markets – not just for Facebook games or mobile games that are cheaper to develop, but also in large-scale games for thousands or even millions of online players.
Ranks and Files: On Metacritic and Gamerankings
Flow Journal2012
Since 2007, the US computer game industry boasts about surpassing cinema and popular music in annual dollar volume. The $19 billion market in 2007 (three times as large as a decade before) was half software and half hardware, with consoles and mobile devices taking a larger share than computers and displays. While the music industry shrank by 10% between 2002 and 2007 and the film industry remained flat, games saw growth of over 28%.
On collegiality: Kittler models Derrida
Peter KrappThesis Eleven
2011
Kittler was among the first to invite Derrida to lectures in Germany, and to translate Derrida’s texts into German. Yet a cursory tally in his references does not always do justice to what Kittler’s media theory owes to deconstruction. Discourse Networks credits Derrida with a mere ‘rediscovery’ of grammatology, although Wellbery’s foreword labors mightily to identify the deconstructive traits in Kittler’s work. Gramophone, Film, Typewriter reduces The Post Card’s complex networks to an allegation that ‘voice remains the other of typescripts' – as if Kittler had not in fact taken a much more subtle evaluation of hearing oneself speak from Derrida. What happens to the writability and citability of texts if they are sorted into such neat binary distinctions of logical or poetic orientation? What, to Kittler, is the quotability and readability of the body of work titled Derrida?
